A Multimodal Critical Discourse Analysis of the Online Brand Identity Construction of National Museums
Table 7.
Characteristicsof the two museums’ online brand identities
|
| Brand Identity |
BM |
NMC |
|
|
| Image of the institution |
Physique |
the museum’s name (white font) against black background as the logo, British greyish blue |
the building of the museum & its Chinese and English names (black font) against white background as the logo, red color as the national symbol |
|
|
| Personality |
friendly, global civilization guardian & cultural intermediary |
authoritative, socially responsible, public welfare, national cultural palace |
|
|
| Externalization |
Relationship |
equality, rapport, encouraging viewers’ self-exploration |
authority, imparting knowledge, calling for national participation to better know & preserve cultural relics |
|
|
| Internalization |
Culture |
world civilizations, multiple cultures, multicultural dialogue |
historical significance, artistic value, continuity of national culture & tradition |
|
|
| Image of the audience |
Reflection |
global viewers, international tourists, diversified backgrounds |
mainly Chinese citizens, student groups, practitioners in the culture industry, middle-aged and elderly |
|
|
| Self-image |
international audience who are curious about multiple cultures |
domestic audience who want to learn & experience national culture, traditional culture lovers |
|
|
|
|