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A Multimodal Critical Discourse Analysis of the Online Brand Identity Construction of National Museums
Universal Journal of Social Sciences and Humanities
| Vol 5, Issue 1
Table 2. Multimodal realizations of the interactivemeaning on the museums’ websites
| Interactive Meaning | BM Homepage | NMC Homepage | ||
| Contact | Demand | buttons with contrastive colors to guide visitors; imperative sentences to give instructions | buttons of booking visits (for visitors) or applying for holding exhibitions (for organizations) | |
| Offer | photos of relics; introductory texts with photos | photos of relics; photos of activities; announcements, news, notices | ||
| Demand & Offer | virtual tours; folding menu & social media icons, leading to dynamic interaction | 3D exhibit display; QR codes of social media or APPs, expanding the interaction | ||
| Distance | Close | user-guides or campaign promotions in close-up, enhancing affinity | smiling characters in educational activities, attracting family audiences & shortening psychological distance | |
| Social | pictures of exhibits & exhibitions using medium-long shot | photos of relics & posters of exhibitions at social distance | ||
| Impersonal | supplementary information | sections of news & academic research | ||
| Perspective | Horizontal | Frontal | exploring collections & museum shops | photos of exhibits, exhibition posters, creative art works |
| Oblique | cooperative projects, online & offline visits | social communication, international connections | ||
| Vertical | High angle | viewing visitors from above, showing the grandness of the museum | photos of communicative activities & processes of making cultural products, taken from the high angle, providing an overview | |
| Eyelevel | main images taken at eye level, implying an equal relationship | photos of exhibits taken at eye level angle, reflecting the equal audience-relics dialogue | ||
| Low angle | majestic architectural dome taken at low angle, emphasizing the grandeur of the building | magnificent facade of museum photographed from the low angle, symbolizing the authority of the national culture | ||
| Modality | High | pictures against black/white color, foreground with high color saturation | main colors (red, gold & white) reinforcing the national symbol color, with high color saturation enhancing credibility & solemnity | |
| Low | museum building as background, greyish blue; promotional content using bright colors to lower modality & appeal to family visitors | bright colors (such as light blue & orange) used in children’s zones or temporary exhibitions to reduce seriousness & attract young audience | ||